I enjoy working with paper because it is fragile and malleable but also incredibly strong depending on the state it is in. It can receive imagery in its two or three dimensional form.
In sculpture, as in the more recent “houses”, the surface marks become part of the idea of the object. Houses and their walls are symbols and records of our existence - Using paper to form them speaks to their vulnerability to aging and the environment. In some ways, even in their absence, they are our environment - our world within the world.
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